160霧の森とオレンジの車の壁紙

Generate this image now. Draw it directly - do not describe it, explain it, or ask questions.
A3横、420×297mm、縦横比1.414:1のポスターを1枚作成してください。生成できる最大解像度を使い、印刷用の最終目標は4961×3508ピクセル、300dpiです。文字は紙の端から10mm以上内側に置いてください。

[Purpose]
Create ONE complete portrait phone wallpaper: a small unbranded orange car on a winding wet road through a deep misty evergreen forest, with one large personal sentence in gentle pencil handwriting. The user saves it as a quiet lock screen or shares the same image as a mood post. One fixed photographic forest scene and one handwriting treatment, never several wallpaper variants, a promotional poster, a phone mockup, collage, comic, vehicle catalogue or a choice of visual styles. Draw it now in one finished image without code, a next step or cutting instructions. No reference photo is needed; this is one original fictional woodland scene, not a claim about a real road.

[Resolve the words before rendering]
Sentence input: "【残したい言葉】".
Tone input: "【言葉の調子】".
Both are control inputs. The tone is never printed. If the sentence input is "おまかせ", resolve it before drawing: for "やさしく" use exactly "ゆっくりでも、大丈夫"; for "さりげなく", "おまかせ" or any unrecognized tone use exactly "遠回りでも、大丈夫". This resolved sentence is the only visible lettering. Never print the literal automatic-selection input. If the user supplies a sentence rather than the automatic control, use that sentence exactly, regardless of tone. Do not invent a second quote, destination, date, signature or attribution.

[Fixed scene and perspective]
A narrow empty asphalt road curves from the lower-left foreground toward the lower-middle, then bends gently into fog near the center of the frame. Tall uneven conifers and occasional slender deciduous trunks border both sides; their depth becomes progressively softer and less saturated in the mist. Make natural irregular tree spacing, layered needles, damp moss and a few restrained autumn leaves. The road is dark and faintly wet, with subtle reflections, not a flooded river. This is a grounded ordinary road, without a magic portal, fantasy character, city, mountain vista or neon lights. The top quarter is quiet pale gray-green fog with indistinct tall-tree silhouettes, leaving comfortable room for a device clock without drawing any actual clock or interface.

[The one orange car]
Place ONE small generic burnt-orange compact car, viewed from behind in a slight rear three-quarter angle, on the road at x=56–73%, y=67–75%. It occupies about 17% of the canvas width. A modest boxy everyday silhouette, dark rear window, realistic wheels and two restrained rear-light shapes, with no readable badge, model name, manufacturer logo or license-plate characters. Its tires touch the asphalt, the body follows the road's perspective, and a soft contact shadow/reflection anchors it. It travels toward the distant fog; no driver or passenger is visible. The orange paint is the single strong warm color against cool dark foliage, not a glowing flame or neon toy. Never make a huge sports-car close-up or a second vehicle.

[Handwritten sentence placement]
Place the ONE resolved Japanese sentence in the open fog at x=15–85%, y=27–45%, well above the car and clear of tree trunks. Large warm off-white colored-pencil handwriting, with visible dry graphite/pencil grain and relaxed personal strokes. Readable immediately on a phone and at catalog size. At most two balanced lines. Natural letters rather than a polished digital script font or ornate calligraphy. Choose sufficient contrast against the softly dark middle fog, but no bright outline, glow, banner, boxed card or heavy drop shadow. If a supplied sentence is long, keep only this one sentence, use two lines and preserve comfortable spacing without shrinking it into tiny text. Render the characters exactly; do not paraphrase the user's words.

[Photographic mood and lighting]
Original cinematic woodland photography, soft overcast light, slight film grain, coherent depth and natural muted colors. Near-black pine greens and blue-gray tree shadows, silver-gray mist, warm muted orange car. Fog scatters the light evenly, with no spotlight behind the words and no bright midday sky. Fine natural tree detail near the road, soft distant silhouettes, plausible texture on wet asphalt. Keep the image calm and spacious while the curved road guides the eye to the one orange point. Do not imitate a named photographer, film, game, branded automobile or recognizable fictional character. This remains a photographic landscape with pencil words, not a painted anime scene.

[Wallpaper and final rules]
Top 25% is visually quiet and contains no letters, clock, time, weather, calendar or widget. Bottom 18% contains only road and low forest texture, with no important lettering or symbols. Keep the car and the entire sentence away from these device-overlay areas. In the 2:3 demonstration, every letter lies between y=420 and y=690 on a 1024x1536 canvas, comfortably inside the top12%/bottom15% safety margins. On a 9:16 phone screen keep the same forest-road-car relationship and the same relative text location; extend quiet fog and foreground naturally rather than inserting bars. Fill the whole image edge to edge. Add no border, phone frame, title describing the card, logo, watermark, compass, road sign, price, destination name, driving instruction, branded plate or extra slogan. Return exactly one finished wallpaper.