148Suno 日本の祭囃子ロック

[Original Japanese matsuri-bayashi rock kit for Suno Custom mode]
You are a songwriter and Suno prompt designer. Make ONE original song kit as text, never audio. The fixed genre is Japanese festival rock: a clear shinobue bamboo-flute melody, a heartbeat-like wadaiko pulse and an audible electric guitar, bass and live rock drum band. The emotional arc is celebration, collective dancing and the dreamlike afterglow of one summer night. Begin immediately without questions. Write every lyric and title afresh; use only broad traditional instrumentation, festival imagery and arrangement traits. Never copy, translate, paraphrase or continue an existing lyric or title, reuse a known melody, name a reference song or artist in the output, or imitate an identifiable singer. Common traditional festival calls are allowed as brief responses, but the main hook must be newly written. Do not use the quoted hook supplied in a reference as the song's hook.

[User choices]
- 祭りの時間: 【祭りの時間】
- 気持ち: 【気持ち】
- 歌声: 【歌声】
- 歌詞の言語: 【歌詞の言語】
- ひとことテーマ: 【ひとことテーマ】

[Language and defaults]
Write numbered output headings and brief usage notes in natural Japanese.
The interface language does NOT choose the sung language. Song-language choices are literary-flavored Japanese, Korean, and half Japanese / half Korean. Empty song language defaults to literary-flavored Japanese. Styles, Exclude Styles, section/cue tags and the image prompt stay in English. The title follows the song language; for the half-and-half choice use one short bilingual title on one line.
An omitted choice or "おまかせ" means decide coherently; do not print or sing that instruction. Defaults: dusk as the focal festival time, celebratory excitement with a lingering ending, a clear female lead, literary-flavored Japanese, and a fictional visitor following a flute past lanterns until the stalls close. Choose one newly invented small encounter and one recurring visual motif. Never turn a theme field into a list of every festival prop.

[Five choices]
Time values: 夕暮れ = dusk; 真夜中 = midnight; 花火のあと = after fireworks.
Treat festival time as the song's focal moment, not permission to lose its color arc: warm akane-colored dusk becomes deep gunjo/indigo night as the arrangement fills, and the sounds recede after the last fireworks. Dusk choice starts in the present at sunset; midnight choice briefly recalls the sunset before reaching the present crowded night; after-fireworks choice frames dusk and the bright night as memories before returning to the quiet present in the outro. None requires a timestamp or color name to be sung literally.
Emotion values: 高揚感 = excitement; 余韻 = afterglow; 懐かしさ = longing; おまかせ = automatic.
Excitement: a buoyant dance pulse, warm voices and open chorus vowels, ending gently. Afterglow: the same lively festival band with a tender final answer and longer flute tail. Longing: a bright remembered festival and a small absent-person or homecoming motif, never a funeral or tragic final stand. Automatic choice follows the supplied theme and still ends with a fading festival. Do not shift into battle rock, military marching, revenge, horror, solemn heroism or a power-ballad climax.
Vocal values: 澄んだ女性 = clear female; 力強い男性 = powerful male; 男女デュエット = female/male duet. Song-language values: 文語調の日本語 = literary-flavored Japanese; 韓国語 = Korean; 日本語と韓国語を半分ずつ = half Japanese / half Korean.
Clear female: transparent bright upper-mid tone and clean diction, not a forced childish voice. Powerful male: resonant open midrange and rhythmic confidence, not growls or angry shouting. Duet: female lead in Verse 1 and its pre-chorus, male lead in Verse 2 and its pre-chorus, both in the choruses, brief alternating hook responses and a soft shared outro. For a solo choice, keep that one lead throughout; a small backing festival response is not a second lead. Bracketed singer cues describe intended routing, not a guaranteed Suno result.

[Sound and pacing]
Choose 132 BPM, 4/4, a dancing straight rock pulse with syncopated festival-drum accents, a bright pentatonic flute motif and a warm major-key band foundation. This is a new arrangement target, NOT a measured reference tempo. Shinobue is a high clear side-blown bamboo flute; keep its short melodic turns audible in the intro, vocal gaps, instrumental bridge and outro. Wadaiko supplies low rounded heartbeat accents, not a relentless martial drum roll. Rhythm guitar adds crisp lightly overdriven chords, bass moves melodically beneath them, and the live rock kit provides a firm kick/snare groove. Keep the lead voice intelligible, the flute clear of the guitar register and the festival drums distinguishable from the band kit. No required shamisen or shakuhachi lead; this card's lead color is shinobue.
Use approximately 128 bars at 132 BPM, about 3:53 before generation variation, as a roughly four-minute goal. Suggested bars by the ten sections: 8 / 16 / 8 / 16 / 16 / 8 / 16 / 8 / 16 / 16. Never place bar counts or timestamps among sung lines. The intro has flute and distant wadaiko; Verse 1 adds bass and light guitar; the first pre-chorus clears the dense band; the first chorus brings in the complete band and short festival responses. Verse 2 makes the night denser, the second pre-chorus opens space again, the second chorus changes the images, the instrumental bridge gives the flute an eight-bar dance, and the final chorus gives a warm shared last dance. No mandatory key change. Remove the band and make flute and taiko sound progressively farther away in the outro, with a gentle unresolved memory rather than a hard victorious ending.

[Styles and Exclude Styles]
Return one compact English Styles block, about 400-750 characters, strictly under 1000. Begin "Japanese matsuri-bayashi festival rock, shinobue-led, 132 BPM, 4/4". Include distinct shinobue / wadaiko / guitar / bass / live rock kit roles, the actual selected vocal and lyric language, the dancing pentatonic sound, celebration plus the chosen after-feeling, a clear flute-and-vocal mix, approximately four-minute target and receding festival outro. Resolve the choices; do not list mutually exclusive vocals or languages. Put the detailed sectional build in Lyrics cues, not a prose itinerary in Styles. No scene descriptions or named artists. Return a separate Exclude Styles block with 4-6 short terms such as "martial march, battle rock, metal growls, EDM drop, synth lead, shamisen lead". Never exclude shinobue, wadaiko, rock drums or the selected vocal.

[Lyrics — full three-layer meta tags]
Use these TEN main section tags exactly, each alone on its line, in this order:
[Intro]
[Verse 1]
[Pre-Chorus]
[Chorus]
[Verse 2]
[Pre-Chorus]
[Chorus]
[Bridge]
[Final Chorus]
[Outro]
Do not omit either pre-chorus or the second chorus. Right below EACH tag put ONE short lower-case English bracketed arrangement line describing the section's sustained instrumentation, dynamics and, when needed, its lead singer. Examples: [shinobue melody, distant wadaiko, no vocals], [female lead, bass and light guitar, soft wadaiko], [lead vocal, sparse bass, no rock drums], [both leads, full rock band, clear shinobue, festival backing calls], [instrumental shinobue solo, wadaiko and rock groove], [soft lead vocal, distant shinobue and wadaiko]. Apply the selected solo/duet routing instead of blindly copying an example. Only instruments present in Styles may appear in cues.
For occasional line-end musical events use a short bracket tag such as [shinobue fill] or [drum fill], at most one per two sung lines. Directions belong in brackets, never in parentheses. Parentheses contain only actually sung crowd responses or echoes, at most one brief response per chorus stanza. Do not sing explanations, singer labels, counts, romanization, translations or placeholder words.
Verse 1: TWO four-line stanzas (eight short lines) introducing dusk or its remembered glow, one fictional encounter and two or three sharp visual details. First pre-chorus: four short lines, breath space before a communal dance. First chorus: eight short lines across two stanzas with ONE newly written short invitation/shout hook repeated in full twice; keep room for a flute answer. Verse 2: TWO four-line stanzas (eight lines) where lantern-lit feet, moving stalls or fireworks make the night feel closer. Second pre-chorus: four short lines, a fresh detail and a breath before the return. Second chorus is variation 1: eight lines, same main hook, new night images and a changed answering line. Bridge is instrumental with its section arrangement cue only, no added lyrical monologue. Final Chorus is variation 2: eight lines, same hook and dance pulse, changed answers that turn excitement into the memory of this one night. Do not make a third unrelated hook. Intro may be instrumental; no more than two brief original sung calls if useful, and update its cue accordingly. Outro: at most two quiet sung lines, then separate lower-case event lines [rock drums drop out], [guitars and bass fade out], [distant wadaiko fades away], [last shinobue note rings out]. The final event sequence follows the sustained outro cue; do not add a new main section. It should sound as if the festival is moving farther away, not like a sudden stop.

[Original words and language routing]
Use short, one-breath melodic lines and vivid scenes rather than explanation. Pick only a few details per section from Japanese paper lanterns, geta steps, a wind chime, a red torii, yukata, cotton candy, candied apples, goldfish scooping, fireworks, a passing mikoshi and brief festival calls. Give one motif a changed meaning by the final chorus. Keep the mikoshi a joyful procession, never a war charge.
Literary-flavored Japanese: ALL sung lines, title and responses are Japanese. Use readable, natural Japanese with light old literary flavor, for example a small amount of sound, particle or phrase-ending color; favor short clear clauses over dense kanji, pseudo-archaic conjugations or classical prose. About 10-18 mora per melodic line is a flexible writing target. Do not transliterate or append explanatory readings. Korean: ALL sung lines, title and responses are Korean, with natural poetic phrases and about 8-12 syllables per line as a flexible target. Keep the Japanese festival setting; it does not turn into a Korean traditional-instrument song. Half-and-half: Verse 1 and its pre-chorus entirely Japanese, Verse 2 and its pre-chorus entirely Korean; each eight-line chorus has a four-line Japanese stanza followed by a four-line Korean stanza. Compose one original Japanese hook and one singable Korean equivalent; repeat the same respective hooks in the corresponding stanzas of all three choruses. The two outro sung lines are one Japanese line and one Korean line. Use no lyric in the instrumental intro or bridge for this choice. Balance performed lines between the two languages, not word-for-word translations or two languages inside a single line. Duet routing is independent of language routing. Keep Lyrics under 5000 characters, preferably under 3500 including tags, by shortening sung lines while preserving all ten sections.

[One separate cover image prompt]
Return one English image prompt beginning exactly: "Generate this image now. Draw it directly - do not describe it, explain it, or ask questions." Ask for one full-bleed 2:3 portrait cinematic painted illustration of a summer festival night, with glowing Japanese paper lanterns, fireworks across an indigo sky and ONE entirely fictional adult visitor seen from behind in a properly wrapped yukata. Match the story's motif and chosen emotion with warm lantern red/amber against cool night blue. Use a clearly readable back silhouette, no real-person likeness, no existing character, no artist imitation, logo, watermark or text. Keep one scene, not a collage, poster mockup or multiple alternatives. The genre and painting style remain fixed for every input. This is a prompt for a separate image tool; no picture or music is generated by this text kit.

[Output — exactly four numbered headings, paste-ready blocks]
Use exactly 【1. 曲名】, 【2. 音楽スタイル】, 【3. 歌詞】, 【4. ジャケット画像プロンプト】.
1: one short newly written title in its own code block, following the selected lyric language.
2: one English Styles code block and one separate clearly labeled Exclude Styles code block. Add at most one short UI-language line identifying the two Suno fields.
3: one Lyrics code block containing only the ten main tags, bracketed section/event cues and new sung text. Add one short UI-language note outside it to paste into Lyrics and audition the flute, hook, language, pacing and receding ending.
4: one English cover-image prompt code block for a separate image generator. End after this result.
Silently check originality, resolved blank/automatic fields, all required instruments, chosen vocal and language, ten complete section tags with ten sustained arrangement lines, two eight-line verses, consistent hook plus two chorus variations, and a distant festival outro. Never claim that tags guarantee an exact voice, duration or arrangement.