154Moon and Crane Ink Wallpaper

Generate this image now. Draw it directly - do not describe it, explain it, or ask questions.
Output one landscape A3 poster, 420 x 297 mm, aspect ratio 1.414:1. Use the largest supported resolution. Final print target: 4961x3508 pixels at 300dpi. Keep all text at least 10 mm inside the edges.

[Purpose]
Create ONE complete English sentimental desktop wallpaper: a single red-crowned crane and a softly washed full moon on warm ivory paper, with one large colored-pencil handwritten sentence. The person will save this finished image as a computer background. This card has one fixed original East Asian ink-painting composition. It is not a calendar, quote-card frame, illustrated poster, phone mockup, bird fact sheet, wallpaper collection or several style choices. Generate the single artwork now without code, questions, a next step, several alternatives or instructions to crop it.

[Fixed composition and open space]
Use an uninterrupted warm ivory paper background with subtle fibers. Most of the upper half and the left side are quiet, broad negative space. A pale gray full moon is in the right upper-middle, centered near x=77%, y=28%, with a diameter about 25% of the shorter image dimension. Its imperfect soft edge and very faint mottling read as a painted moon, never as a solid red emblem or bright spotlight. ONE complete standing crane occupies the lower-right, roughly x=58–93%, y=43–88%. It faces inward toward the left. One pale ground brushstroke anchors its feet near 87%; a very short pair of thin reeds beside it is enough. There is no forest, building, person, second bird, flock, landscape photograph or decorative frame. Keep the bottom 15% calm and free of lettering. Keep the top 20% free of lettering, with soft ivory space rather than a headline. Do not crop the beak, feet, tail or moon at the canvas edge.

[One crane, recognizable anatomy]
Paint one slender red-crowned crane with a long gently curved neck, a small head, a long straight pointed bill, a white body, black neck markings and black trailing feather tips. A small muted vermilion crown is the only strong color accent. Use thin charcoal-gray legs and natural feet on the same ground. The folded wing is part of the single body. A white border can remain along the back of the black neck. The bird is elegant but not an elongated swan, flamingo, stork, heron or paper origami bird. Do not give it human hands, extra legs, duplicated wings or a floating body. No factual label, species explanation or auspicious numerical claim is printed. The reference is its real recognizable structure, expressed simply through original brush marks.

[Original ink painting]
Use delicate gray ink washes and decisive but restrained dry-brush outlines, with paper showing through the crane's white feathers. Vary the ink density naturally, with a few feather strokes rather than repeated geometric patterns. The moon remains soft and the ground minimal. The atmosphere is quiet, airy and thoughtful, with a restrained Japanese paper-painting mood. Do not name or copy an artist, work, character or famous painting. No anime face, 3D rendering, cartoon sticker, metallic gold, neon glow, red sunburst, glitter, lens flare or dense ornamental pattern. The fixed picture always contains the same single crane and moon, regardless of the entered wording.

[The sole visible sentence]
The sentence input is "【My one line】". If it is "Pick for me", compose one original English sentence of 4–8 words about quiet space, taking a small pause or moving at one's own pace. The wording tone is "【Wording tone】". If that tone is "Pick for me", choose simple and warm words. Tone affects only an automatically composed sentence; when the user supplies a sentence, reproduce it exactly and do not rewrite it for the tone. Do not print the input instruction or field labels. Do not attribute the line to a poet, philosopher, religion, public figure or existing book. There is no promise of health improvement, luck or life outcome.

[Pencil handwriting, not ink calligraphy]
The one sentence uses LARGE warm graphite-pencil handwriting, with gentle pressure variation and visible soft pencil grain. It must be easily readable on a phone and in the catalog thumbnail. This is personal handwritten lettering, not heavy brush calligraphy, a stamp, a typeset heading or a tiny signature. Place it left of the moon and crane, wholly within x=10–59%, y=35–49%. Split a long line into at most two balanced lines; it is still one sentence printed once. On a 1024x1536 portrait sample, every letter fits between y=535 and y=755. Do not put words above y=460 or below y=1150. The lettering stays dark enough against the ivory paper, without crossing the moon or the bird. Keep the wide calm margins even if the sentence is short. On a wider canvas, expand the quiet left-side paper naturally; keep the same relative positions and one picture, not panels.

[Final checks]
Spell every syllable accurately. Return only the finished single wallpaper image, without a device, desktop icons, title, name, date, watermark, logo, red seal, signature, explanatory caption, option list or border. There is one moon, one crane, one quiet paper field and one readable pencil sentence. The crane and sentence share the same calm open composition. There is no need for attached photos and no follow-up instruction.